МУЗЫКОВЕДЕНИЕ

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Musical mobile: genre or form?

Pereverzeva Marina V.

Many musical mobiles appeared in the twentieth century under the influence of sculptor A. Calder’s mobiles; there were instrumental or vocal pieces of music, form of which changed its outlines. In composers’ practice there were three types of mobile forms as a whole, which are analyzed in this article following the example of concrete works.

Russian cello concert in the 20th century

Pavlovsky Anton N.

In the center of attention of this article lie the development of cello cocerts? Written by Russian composers of the 20th century.

The phenomenon of buddhist meditation in traditional music culture and eastern avant-garde

Yunusova Violetta N.

In the paper the author considers the influence of philosophy, aesthetics and practice of Buddhist meditation on the classic genres of music culture of Asian (Indian music ragsangit ) and in the works of Takemitsu Toru, Isan Yun, Tan Dun, who are Eastern musical avant-garde great masters. Special attention is paid to the map of meditation phenomenon and the interpretation of image and figurative aspects of their works (the problem of life and death), the interpretation of the genre, their original compositional techniques (Isan Yun’s main sound-tone technique ) from the perspective of Eastern religious philosophy and practice of Buddhist meditation.

To the question about Anton Arensky’s theatre music

Filatova Marina S.

The paper is dedicated to the history of development of theatre music created by prominent Russian composer Anton Arensky. The complicated fate of the operas Arensky is presented, reasons of their oblivion in the 20th century are discussed.

Traditions and continuity of Moscow conservatory school of singing

Yakovleva Antonina S.

In the paper the main trends in the artistic life of Moscow Conservatory's vocal school are described. The author presents the main tendencies in the work of the prominent disciples of this school, who had determined the strategy of training the maitres of Russian art of singing.

Vocalists artistism in the aspect of contemporary vocal interpretation of italian opera of the first half of the 17th century

Fomina Valentina P.

The article deals with the evolution of vocalist artistism from the 17th to the 20th centuries while historical changing of musical thinking. It describes the problems of contemporary singers artistism during the historical performance of Italian operas composed in the first half of the 17th century.

О МЕЖДУНАРОДНОЙ КОНФЕРЕНЦИИ‌‌‌ «МУЗЫКОВЕДЕНИЕ В XXI ВЕКЕ. МУЗЫКАЛЬНЫЕ КУЛЬТУРЫ РОССИИ И ГЕРМАНИИ: ДИАЛОГИ И ПАРАЛЛЕЛИ» (РАМ ИМ. ГНЕСИНЫХ, 3-5 АПРЕЛЯ 2012 ГОДА); МЕЖДУНАРОДНАЯ НАУЧНАЯ КОНФЕРЕНЦИЯ «ИСКУССТВОЗНАНИЕ И ГУМАНИТАРНЫЕ НАУКИ СОВРЕМЕННОЙ РОССИИ. ПАРАЛЛЕЛИ И ВЗАИМОДЕЙСТВИЯ» (ГКА ИМ. МАЙМОНИДА, 9-12 АПРЕЛЯ 2012 ГОДА); «МУЗЫКА НАРОДОВ МИРА В XXI ВЕКЕ: ПРОБЛЕМЫ И ПЕРСПЕКТИВЫ». К ЮБИЛЕЮ В.Н. ЮНУСОВОЙ (МГК ИМ. ЧАЙКОВСКОГО, 13-15 АПРЕЛЯ 2012 ГОДА)

НАУМЕНКО Т.И., СУСИДКО И.П., КОНСОН Г., СЕРГЕЕВА Т.С.

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