Azizi Faroghat A.
Karavanskaya Sofia V.
Article is touching upon one of the most questionable and provocative music styles - constructionism. Author is trying to extend the understanding of constructionism as only 1920-th phenomenon
Karelina Yekaterina K.
The article is about a contemporary state of folklore tradition in Tuva. The analysis of typical elements puts on deduction about the transformation of folklore tradition which changes to new state of an authorship and a trade. The many signs of our object resemble a culture of the Europan mediжval minstrels. So, we are introducing the notion as "new-minstrelation".
Mongush Ayasma D.-B.
The article is devoted to the actual problems of genre classification of Tuvan music folklore and the differentiation of genres of Tuvan people songs. On the basis of the achievement of Russian researchers on ethnomusicology the main works of Tuvan scientists towards Tuvan music folklore are analyzed and also it is offered the author's point of view on the basis of modern researches connected with music culture of indigenous peoples of the North and Siberia.
Belik Pyotr A.
The author of the article considers the principles and methods of the composer's work with folklore patterns under the conditions of invariant qualities of the symphonic genre. Conscientious and purposeful using of Russian folklore songs of Ryazan region by I.M. Krassilnikov in the regularities of the dramaturgy of sonata-symphonic cycle help forward the realization of the optimistic conception of the work.
Konson Grigoriy R.
The author of the article makes the comparative analysis of two prominent Russian scientists' researches of concept of symphonism: Boris Asafiev and Iosif Rïzhkin. Author of this work considers B.V. Asafyev's making of studies about symphonism, being durable basis for creation of methodology of integral analysis, one of the founders of which was I.J. Rizhkin.
Shamilli Gultekin B.
The article is dedicated to research of the central concept of the Iranian classical music -
Sladkov Pavel P.
It has passed more than half a century since the idea of forming a stylistic hearing in the course of solfeggio was brought forward. Yet up to this time it has been a problem of vital importance. In the given article the author expresses his own view on solving the problem by means of the complex approach,in which solfeggio is only a link of the whole dialectical process.
Kartashova Tatiana V.
In article sources of an origin and development a vocal genre
Pavlova Polina A.
"Napevka", the oral, memorized version of canticle, is a form of reduced neumatic chant. It is widely spread in the modern divine worship of old believers. This article is devoted to the intonation rhythmic, which is the main principle of its rhythmic organization.