Tchebourkina Marina N.
То continue with ourprevious publications in Musicology (No.2,3) which deal with the etymological analysis of main French 17 th and 18, hcenturies terms and show their principles in French organ music of this period, we propose the cycle of two publications (the first article will be followed by the second one in the next number of this magazine) devoted to «French Classicism * problem.In the first article, the author concentrates his attention on «French Classicism * sources, analyses the evolution of the term «classical» in France since 17th century and shows the establishement of «Classicism» conception in the middle of the 19th century.
Lukonina Oksana I.
The article enlightens the topic of Rimsky-Korsakov''s influence on the life and creative work of hisson - inlaw and disciple, a composer from St. Petersburg M.O. Steinberg. The author deals with the aspects of Rimsky-Korsakov esthetic principles'' continuity in the spheres of pedagogics, social activities and composer''s creative work of Steinberg.
Novikova Olga V.
In this papera pitch organisation of musical fragments in the East Buryatian epos (monologues of heroes tuurelge) is studied. The tone''s functions of the modal system are analyzed in connection with the pitch contours realized in the tones. Culturological interpretation of the results is given.
Starikova Irina V.
The article deals with the Polyeleos, whichis one of the psalmic cycles of the Vigil. The history of the recording of the Polyeleos in chant books and typiconsis examined, leading to the detection of two notated versions of psalmic cycles in the chant books of the beginning of the 16 th to the mid-17, hcentury.
Belyaeva Anastasiya N.
The paper deals with activity of the outstanding choral conductor Simeon Abramovich Kazachkov who has brought the invaluable contribution to development of Russian choral culture. More than half a century hemanaged chair of choral conducting and supervised over chorus of the Kazan N.G. Zhiganov state conservatory students. Kazachkov is the author of books «The conductor''s device and its statement*, «From lesson to concert*, «The choral conductor - the actor and the teacher*.
Serova Zhanna Y.
The paper is concerned with popular domestic dance tango. The article describes the history of dance, its plastic and musical shape. The main attention is focused on the rhythmic features of tango.
Cherepennikova Margarita S.
The paper is concerned with one of the most interesting and successful works by German composer G. F. HEndel'' s lyric opera «Rinaldo» (1711), based on Italian poem ((Jerusalem Delivered» by T. Tasso. We see the specific features and historical connections between composer''s and poet''s destines and works. We are searching different correlations between Italian, German and English musical and literary traditions shown under the light of baroque, classical and romantic culture stiles.